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else’s lack of concern about the paper strewn everywhere at Walker-Jones, which is a
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                                                                 detail her mother appears not to notice.
                                                                    The rising action culminates in the mother’s admission: “I don’t know how to read or
                                                                 write” (par. 17). This moment, the climax of the story, reveals to us why the daughter’s
                                                                 first day of school is such a momentous occasion for both mother and daughter. Even
                                                                 the mother’s care in grooming and dressing her daughter for school takes on a new
                                                                 dimension — education is important to the mother because she did not have the
                                                                 opportunity to attain it for herself, and she wants to make sure her daughter has more
                                                                 opportunities than she has had. This information also complicates the daughter’s
                                                    Analyzing Short Fiction
                                                                 understanding of the woman who has raised her. While the daughter’s sense of
                                                                 excitement and anxiety about the first day of school before this point in the story seems
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                                                                 to stem from the idea that everything about the day — from her attire to the school
                                                                 building itself — is fresh and new, she starts to understand more about why her mother
                                                                 also feels the day is important. Emphasizing this turning point in the story, the mother
                                                                 looks at her daughter before looking away with an expression that the daughter has
                                                                 never seen before.
                                                                    The falling action begins when another parent agrees to help the mother. Seemingly,
                                                                 this woman does so out of kindness, but the daughter recognizes a subtle shift in the
                                                                 other mother’s attitude as well as a more pronounced feeling of superiority now coming
                                                                 from the other woman’s daughter, who stares at them as the required paperwork gets
                                                                 completed. Toward the end of the falling action, the daughter attempts to share a
                                                                 familiar, physical exchange with her mother, but her mother’s reaction signals a shift in
                                                                 their relationship because she responds in a way that “is not a part of the game” (par.
                                                                 22) they have long played. The story’s brief denouement establishes the daughter’s new
                                                                 understanding of her mother as someone who not only cannot read and write but also
                                                                 as someone who darns her socks and wears noisy shoes, both of which cause the
               DIFFERENTIATION                                   daughter to feel disappointed at this insight into how the world sees her mother and,
               Connections to Self                               perhaps, appreciative of the lengths to which her mother goes to ensure she will have
                                                                 more opportunities in life.
               Ask students to journal about a quiet
               tension that exists in their lives. For
               example, they may wish to develop their             KEY QUESTIONS
               discussion about their conflicting feelings         Analyzing Plot
               about their first day of school — or another
               first in their lives. Or, they may wish to          •  Is the plot arranged in chronological order? If not, how would you describe the
               address something more general — such                arrangement and structure of the plot elements?
               as being late to school because they had            •  Does the plot involve foreshadowing? A flashback? If so, what is the purpose of this
               to pick up a cup of coffee, or the tension           choice, and how does it contribute to your interpretation of the story?
               found in selecting an outfit. Ask them to           •  Are the key conflicts internal or external? What complications intensify them?
               develop a paragraph that includes a claim           •  What is the turning point or climax of the story?
               (their specific conflicting attitude/feeling        •  How are the conflicts resolved? If there is no resolution, why not?
               words) with evidence from their own lives.


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                                                 02_SheaLitComp3e_28114_ch01_xl_053.indd   12                             27/10/21   9:05 PM
                                                 DIFFERENTIATION
                                                 Scaffolding
                                                 Using the modeling provided for “The   contributed to their understanding of the
                                                 First Day” on pp. 11–12, ask students to   character or characters.
                                                 use a dialectical notebook to analyze the
                                                 significance of the plot points for a new   TRM  Instructional Strategies
                                                 short story, such as Katharine Brush’s   For advice on conducting an effective dialec-
                                                                    ®
                                                 “Birthday Party” (2005 AP  Exam Prose   tical notebook, see the Teacher’s Resource
                                                 Fiction Analysis FRQ) or Ernest Hemingway’s   Materials.
                                                 “A Very Short Story.” Both are short and
                                                 accessible. After completing the dialectical
                                                 notebooks, ask students to form small
                                                 groups to discuss how the sequence of
                                                 events they identified in their notebooks







               12                                                                           chapter 1 / Analyzing Short Fiction






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