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138   Unit 2   ■   Analyzing Comparisons and Representations

                                                                               It was easier to manage
               1   REFERENT  The poem’s title includes an                   1  It was easier to manage
               ambiguous pronoun (“it”), which allows for multiple          2  I started kindergarten that fall you went off to Guyana.
                                                                                          arten that fall y
                                                                                                        ent off to Guy
                                                                               I started kinder
                                                                                                     ou w
                                                                                         g
                                                                                                                 ana.
               interpretations of its antecedent. “It” could refer             Granny cut off my dreadlocks. She knew how to press
               to the speaker’s hair, her living situation with her            and curl, ponytail, and cornrow but palm roll
               grandmother, the mispronunciation of her name,                  locks till the roots stiffened with beeswax,
               her response to the loss of “you,” or another                  5  glistens like licorice, she didn’t know.
               referent.
                                                                               For that matter, no one in the Projects knew
                                                                               what to do with hair left natural, left
               2   PRONOUN  By using the second-person
                       Copyright (c) 2023 Bedford, Freeman & Worth Publishers. Uncorrected proofs were used with this sample chapter.
                                                                                             they were afraid to touch
               pronoun “you,” the speaker does not address the              3  unparted and wild — they were afraid to touch
                                                                               that unmothered part of themselves. Each snip
               reader but rather an unnamed character.                         that unmothered part of themselves. Each snip
                                                                             10 made each one alive and each one dead.
                                                                               made each one alive and each one dead.
               3   REPETITION  The repetition of “each” in these               And if you said goodbye, it was an honest whisper,
                         Distributed by Bedford, Freeman & Worth Publishers. Strictly for use with its products. Not for redistribution.
               two lines may mimic the sound or cadence of                     short and fine in your throat.
               scissors cutting hair. Additionally, “each one” is           4  She cut my hair like a boy’s
                                                                               She cut my hair like a boy’s
               ambiguous and may refer to each strand of hair                  who hadn’t been to the barber for a month,
                                                                               who hadn’t been to the barber for a month,
               cut or the people “in the Projects” from line 6.              15  and I sat at the cafeteria table alone for weeks.
                                                                               They couldn’t make sense of me, my classmates
               4   REPETITION  The speaker repeats the haircut                 with their gender-proper hairstyles. I didn’t
               twice throughout the poem (potentially a third               5  want anything to do with franks & beans,
                                                                               want anything to do with franks & beans,
               time in the last line, as sheep are sheared). The               those pucks of grilled meat. I waited at lunchtime
                                                                               those pucks of grilled meat. I waited at lunchtime
               experience is so important to understanding her               20 for peanut butter and jelly and was hesitant to eat
                                                                               for peanut butter and jelly and was hesitant to eat
               childhood and lack of control.
                                                                               bread that wasn’t our color. It was hard
                                                                               bread that wasn’t our color. It was hard
                                                                            6  not hearing your voice each morning,
                                                                               not hearing your voice each morning,
               5   REPETITION  The speaker repeats foods
               throughout, communicating her level of                          throughout the day. And unwilling to correct them
               connection, comfort, or familiarity with her                    when they said my name wrong, I gave into
                                                                               the Sizzlean; the fried chicken crunched
               surroundings.                                                7  25 the Sizzlean; the fried chicken crunched
                                                                               between my teeth, I could’ve bitten both of your hands
                                                                               between my teeth, I could’ve bitten both of your hands
               6   REPETITION  The speaker weaves thoughts                     for leaving me here, each finger for the gunshots that rang
                                                                               for leaving me here, each finger for the gunshots that rang
               and memories of the unnamed “you” character                     the night, the footsteps running on the roof, the gravel mashed
                                                                               the night, the footsteps running on the roof, the gravel mashed
               in lines 1, 11–12, 22, and 26–34. This repetition               deeper and deeper into my sleep. Flocks of butterflies
                                                                               deeper and deeper into my sleep. Flocks of butterflies
               reflects how frequently she thinks about this                 30 broke my skin and I was shatter where I stood,
                                                                               broke my skin and I was shatter where I stood,
               character and their absence.                                    a whole constellation of wondering if I could throw
                                                                               myself to the sky, coat it with urgent wishes
               7   ALLITERATION  Similar sounds are repeated in                you’d see that I missed you, that the barter was unfair,
               “chicken crunched,” “between my teeth,” “bitten                 that you mistook me for sheep.
               both,” “running on the roof,” and “butterflies broke”
               to express deep frustration, anger, and pain.
                                                                              FIGURATIVE LANGUAGE: Word Choice, Imagery, and Symbols
                                                                               1.  Consider the pronouns and antecedents in the poem. How do these pronouns
                                                                                create relationships?
                SUGGESTED RESPONSES
                TO THE QUESTIONS                                               2.  The speaker characterizes a child through repetitive words and phrases. How does
                                                                                this repetition create a message? Explain how repetition contributes to the message.
               1. The author uses the second-person pronoun                    3.  Choose an alliterative phrase and explain how the repetition of the sound
                 “you” not to address the reader but rather to                  contributes to your interpretation of the poem.
                 address an unnamed character. The title also
                 includes a notably ambiguous pronoun.
               2. The narrator repeats the experience of her
                 haircut at least three times (see lines 2, 13,
                 and 34); her hair likely symbolizes a part of her   03_williamlit1e_46174_ch02_116_207.indd   138                22/09/22   9:43 AM
                 life that she lost (perhaps her relationship with
                 the “you” character, perhaps a part of her own   COMPREHENSION CHECK
                 identity) because they left her. The speaker   1. The narrator states that Granny cuts the narrator’s _________ at the opening of the poem
                 also refers to different foods throughout the   sometime before the narrator begins kindergarten. [dreadlocks/hair]
                 text, all of which convey her deep connection   2. The narrator recounts that when she goes to school, she sits “at the cafeteria alone for weeks”
                 to her community.                       because her classmates cannot __________. [make sense of her]
               3. One of the most powerful examples occurs   3. At lunchtime, the narrator waits for what food instead of “franks & beans, / those grilled pucks
                 in line 26, “bitten both” and lines 29–30,   of meat”? [Peanut butter and jelly sandwich]
                 “butterflies broke.” Both of these express   4. As the narrator addresses someone, she describes being so upset that she “could’ve bitten
                 powerful anger and pain.
                                                         both of your ______ / for leaving me here.” [hands]
                                                       5. The narrator states that nobody in the Projects knew how to style _________ hair. [natural]
                                                        TRM  Unit 2: Comprehension Check     Digital Comprehension Check

               138        Unit 2     Analyzing Comparisons and Representations

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