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168   Unit 2   ■   Analyzing Comparisons and Representations


                INTRODUCING THE TEXT
               Open the text by asking students to think like
               anthropologists about modern-day courtship
               practices: How does someone indicate that      To His Coy Mistress
               they’re romantically interested? What role does
               gender play in courtship? How have courtship   Andrew Marvell
               processes and rituals changed in the past one
               hundred years?                                 THE TEXT IN CONTEXT
                       Copyright (c) 2023 Bedford, Freeman & Worth Publishers. Uncorrected proofs were used with this sample chapter.
                                                              The poetry of Andrew Marvell (1621–1678), like the work of
                IDEAS IN THE TEXT
                                                              other metaphysical poets, brims with vivid imagery, gaudy
                   Carpe Diem        Infatuation              metaphors, and brainy wit. In his most famous work, “To His
                   Time              Persuasion               Coy Mistress,” he uses a traditional form: the carpe diem (“seize
                         Distributed by Bedford, Freeman & Worth Publishers. Strictly for use with its products. Not for redistribution.
                   Desire            Liberation               the day”) poem. This form has a long history, dating back over
                                                              2,000 years to the work of the Roman poet Horace. Carpe diem       Culture Club/Getty Images
                LITERARY CONCEPTS                             poems, like the following poem, urge an implied listener (almost
                                                              always a woman) to live in the present and enjoy immediate
                   Speaker           Comparison               pleasures.
                   Perspective       Simile
                   Structure: Stanza      Metaphor                             To His Coy Mistress
                   Shift             Referent: Pronoun
                                                                           1   Had we but world enough and time, ,
                                                                                        orld enough and time
                                                                               Had w
                                                                                   e but w
                                                                               This coyness, lady, were no crime.
                TEXT RESOURCES                                             2   This coyness, lady, were no crime.
                                                                               We would sit down, and think which way
               TRM  The reusable graphic organizers                            To walk, and pass our long love’s day.
               identified on page 155 can be found in the                     5  Thou by the Indian Ganges’ side
               Teacher’s Resource Materials on the digital                     Shouldst rubies find; I by the tide
               platform.                                                       Of Humber would complain. I would
                                                                               Love you ten years before the flood,
                                                                               And you should, if you please, refuse
               1   REFERENT  The speaker immediately                         10  Till the conversion of the Jews.
                                                                               My vegetable love should grow
               introduces the subject in association with                  3   My vegetable love should grow
                                                                               Vaster than empires and more slow;
               himself. The speaker sees himself literally and                 Vaster than empires and more slow;
               figuratively with the subject and seeks a romantic              An hundred years should go to praise
               relationship with her.                                          Thine eyes, and on thy forehead gaze;
                                                                             15  Two hundred to adore each breast,
               2   STRUCTURE  The first stanza describes a                     But thirty thousand to the rest;
               hypothetical scenario: the speaker hypothesizes             4   An age at least to every part,
                                                                               An age at least to every part,
               that if he and his lover had all the time in the                And the last age should show your heart.
                                                                               And the last age should show your heart.
               world, they could pass the days away without a                  For, lady, you deserve this state,
               care because the subject would eventually see                 20  Nor would I love at lower rate.
               how much the speaker loves and cherishes her.               5      But at my back I always hear
                                                                                 But at my back I always hear
                                                                           6   Time’s wingèd chariot hurrying near;
                                                                               Time’s wingèd chariot hurrying near;
               3   METAPHOR  Here and in several lines prior,
               the speaker reveals an important part of his                    And yonder all before us lie
               perspective: he is in love with the subject. He                 Deserts of vast eternity.
               likens his love to a vegetable (or plant) that
               expands naturally and gradually with ease.
               4   PERSPECTIVE  The speaker believes that with
               enough time, the subject would eventually see   03_williamlit1e_46174_ch02_116_207.indd   168                      22/09/22   9:45 AM
               how lovingly he appreciates her physicality and   CRITICAL APPROACHES        CREATIVE WRITING
               respond in mutual love and desire.
                                                     Philosophical                          Writing an Argument Poem
               5   PRONOUNS  The speaker shifts at the end of   Scholar Michael Bryson, a professor in the   Marvell’s poem takes an unusual approach to
               the first stanza and the beginning of the second   Department of English at California State   convincing the woman to yield to his wishes. He
               stanza to the use of separate pronouns ( you/  University writes, “The theme of love as   sets up an “If, But, Then” argument. Ask students
               your; thy; and I/my) to discuss the possibility of   resistance to authority is the centerpiece of a   to mimic this style in a three-paragraph letter that is
               the subject prolonging the courtship indefinitely   two-millennia-long tradition in Western poetry   based on argument. They can address the letter to
               (what the speaker refers to as her “coyness” in   known as carpe diem (a phrase credited to the   a teacher, parent, or friend. Brainstorm together as
               line 2).                              Latin poet Horace).” Bryson argues that in “To   a class for possible arguments (asking for extra
                                                     His Coy Mistress” Marvell is “emphasizing the   credit from a teacher, asking for a date to prom,
               6   METAPHOR  The speaker compares time to   carpe diem ethos’ potential to illustrate both the   asking to extend curfew, asking to be excused from
               a chariot bearing down upon humanity (i.e., the   consequences and the necessity of individual   a chore, etc.) Remind students to use all they have
               inevitability of the passing of time and death).
                                                     erotic choice—especially female choice—in   learned about using language such as perspective,
                                                     defiance of authority.”                contrasts, associations, and comparisons, to write
                                                                                            an effective essay. Make sure they know to keep
                                                                                            the content light and perhaps witty, as Marvell did.

               168        Unit 2     Analyzing Comparisons and Representations






          03_williamlitte1e_47545_ch02_116_207_3pp.indd   168                                                                   08/12/22   5:34 PM
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