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from The Round House
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               TRM  Annotation Handout                     Louise Erdrich
               A student handout for annotating this text
               can be found in the Teacher’s Resource      Small trees had attacked my parents’ house at   convenient holes in the mortar for next year’s
               Materials.                           Analyzing Short Fiction  the foundation. They were just seedlings with   seedlings.
                                                           one or two rigid, healthy leaves. Nevertheless,   Whenever I succeeded in working loose a tiny
                                                           the stalky shoots had managed to squeeze   tree, I placed it like a trophy beside me on the
                                                           through knife cracks in the decorative brown   narrow sidewalk that surrounded the house.
               CLOSE READING                               shingles covering the cement blocks. They had   There were ash shoots, elm, maple, box elder,
               Ask students to consider how the first line,   grown into the unseen wall and it was difficult to   even a good-sized catalpa, which my father placed
               “Small trees had attacked my  parents’      pry them loose. My father wiped his palm across   in an ice cream bucket and watered, thinking that
                      © Bedford, Freeman & Worth Publishers. For review purposes only. Do not distribute.
               house at the foundation,” might be          his forehead and damned their toughness. I was   he might find a place to replant it. I thought it was
                 connected to additional images through-   using a rusted old dandelion fork with a   a wonder the treelets had persisted through a
               out the excerpt. Specifically, ask students   splintered handle; he wielded a long, slim iron   North Dakota winter. They’d had water perhaps,
               to consider how the narrator’s emotional    fireplace poker that was probably doing more   but only feeble light and a few crumbs of earth. Yet
               attitude toward the plant imagery and       harm than good. As my father prodded away   each seed had managed to sink the hasp of a root
               the foundation of the house might be an     blindly at the places where he sensed roots   deep and a probing tendril outward.
                 appropriate metaphor for the home culture.  might have penetrated, he was surely making             2012


               CLOSE READING                                     Putting It All Together:
               Ask students to make a claim about a              Interpreting Major Elements of Fiction
                 possible theme found as they consider
               what the set of images — specifically that        As you analyze literature, you have not only the challenge of comprehending what
               of the plant imagery — have in common.            happens in the story but also of understanding how characters, plot, setting, point of
               You may wish to first suggest theme words         view, and perspective come together to raise questions, explore issues, and ultimately
               such as “identity,” “struggle,” and “per-         convey meaning. When you put forth your understanding of the text, you are making a
               sistence.” Then, ask students to develop          claim about its deeper meaning, or theme(s). A claim must be arguable, which is
               questions that might lead to an articulation      where your interpretation will come in. If the plot, characters, and setting are the what
               of a thematic statement. For example, “To
               what extent does shared struggle lead to          of a story, then your interpretation is the so what. Developing an interpretation is not
               greater insight about the meaning of life?”       a simple process, and you might even feel as though you have to make it up by using
                                                                 your imagination — but that’s not necessarily a bad thing. In fact, literary critic Northrop
                                                                 Frye used the term “the educated imagination” to describe the intersection of skills and
                                                                 knowledge with creativity. In a way, this chapter so far has educated your imagination —
                                                                 what you’ve learned about the basic building blocks of stories such as character, pers pec-
                                                                 tive, point of view, plot, and setting all give you ways to exercise your imagination as
                                                                 you think about what these stories mean. The complexity of this process of inter-
                                                                 pretation means that while others may develop similar interpretations, yours is still
                                                                 unique. That is why you will also need to provide evidence from the text to back the
                                                                 claims you make as you explain and support your interpretation. All of these pieces,
                                                                 when put together, essentially form a literary argument.
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               18                                                                           chapter 1 / Analyzing Short Fiction






          02_SheaTEL&C3e_40437_ch01_001_053.indd   18                                                                  18/02/22   1:40 PM
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